Describing the motion as “very much a product of, or fellow traveler with, the political ferment of the times,” she considered a particularly experimental moment inside art historical past and altered the self-discipline in the course of. But it’s Hopkins’s dedication to listening to the artists she works with—from the late Beau Dick (Dzawada’enux) to Rebecca Belmore to Hock E Aye Vi Edgar Heap of Birds (Cheyenne/Arapaho) to Postcommodity—that has come to define her practice. Christov-Bakargiev got her start in Italy, and then gained an international following as senior curator on the P.S.1 Contemporary Art Center in New York, the…